Everything about this moment was romantic. It wasn’t enough just to be back in Paris thirty-five years after we’d honeymooned there, but we were also staying at the same hotel and stopping in at Fouquet’s, the same place on the Champs-Elysee we’d stumbled onto late one night when we were newlywed where we had chocolate mousse we hadn’t ever forgotten.
No, all that wasn’t romantic enough.
My husband thought we should have a date out on the town and lined up a trip to the opulent Paris Opera Garnier. We donned our fanciest travel clothes and sat beneath the blessing of Marc Chagall’s colorful celebration of art itself.
And as if that wasn’t enough, the program that night, an homage to Jerome Robbins, harkened back to our early days. As newlyweds we often attended the New York City ballet at their outdoor summer home at Saratoga Performing Arts Center in upstate New York. The staging of “Glass Pieces” in particular was so familiar that it took my breath away to know I was in Paris, France, at the Opera House, with my boyfriend who was still following me around and delighting me with his thoughtfulness and kindness and shared joy of all things artistic, that I could barely watch through the tears in my eyes.
We left that night, awed by the layered gilded building, the rainbow of Chagall’s ceiling, the drama of ballet and the deep thankfulness in our hearts for one another and for the great good fortune to be able to hold each other’s hands still and take it all in.